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Born in New York in 1980...

I grew up during the Pre-internet golden era of Comic Books, Garden Gnomes, building wooden jump ramps and being home when the street lights came on.  


As a teen discovering D.I.Y cultures like Skateboarding, HIPHOP, Graffiti DJ-ing had a giant effect on me and crafted me into the artist I am today. Wether it's painting or running a business the lessons learned alone during long hours of creating as a youth are reflected today in my work pushing forth originality, a work ethic & authenticity born of past times. 


Painting in the tunnel- Spring 1999

Poughkeepsie NY was the training ground growing up but In 1999 I made my way down to NYC to attend The School Of Visual Arts in Manhattan. There I met a like minded posse of Artists, Writers, Skaters, Filmer's & Designers as we rode out the end of the 20th century. Still rocking Walkmans and taking photos of the streets and parties, before the Cell phones...Man it was a great time to be young in the city.. A changing of an era we were all aware of.


During those years I began to expand my creative horizons beyond just letters and walls as both teachers and fellow artists pushed me to develop my artistic vision. At first I couldn't paint a blank canvas. There was just no interest or excitement. Eventually a chance encounter with the book "fahrenheit 451" lead me down a new path. I began to salvage old books and paper from anywhere I could find them. 




PPOW GALLERY- Spring 2003 - SOHO 

My interest began to shift as I appreciated the yellowed or brown ancient paper surfaces more and more. I began to see a link between the layers of paint on the walls I grew up painting vs the layers of surface of the paper. Water damaged, discolored or moldy, even better! I began working off life's natural marks and then adding my own to them.  It all began to click. 

"Untitled" book. Acrylic ink - 2003

Around the same time as the old paper naturally came the books. I began to salvage books I would find as a way to first get a hold of old paper then I began to see the beauty in their format and design. This was during a changing of an era and books were starting to become a thing of the past. Everywhere I looked in my then Bushwick Neighborhood I found books. On the ground, in the hallway of a random building during a house party, in the garbage and from vendors on the corner. I was becoming obsessed with Old books and paper. I was also delighted at the prospect of never ending materials that were almost always exclusively free or a buck. I then began to use a mixed media approach incorporating print making techniques to emulate the indelible ink once used on these vintage surfaces. I began to embrace the book as way to communicate to my current audience. After all I only worked on the end pages where some will go to read the summary of the book. I also removed the pages so theres no width to scare anyone off.. And Lastly a picture is worth a thousand words. I updated an ancient form of communication into a modern one. People began to appreciate the book when I reworked it. It was a play on the changing of an era, It also was a commentary on peoples laziness ( myself included ) when it came to reading. When I took the book apart and replaced it with only images, they embraced it again. A modern solution for a modern society. However the biggest draw ( aside from the sporadic nature of finding the surfaces ) was that it was now telling my story. 


Solo show at SCOPE ART Miami - Dec 2004 


For the next decade plus I would go on to create hundreds of works on old paper, books and found wood. My art has been shown on almost every continent in countless exhibitions. It also is part of numerous art collections and has been published in a number of publications. Some of my former exhibitions include SCOPE ART, FOUNTAIN, ART BASEL Switzerland, The VENICE biennale, The ISTANBUL biennale, The COMMON WEALTH Games ( Australia ), The Beijing Art Fair, The Jeju Art Museum in South Korea, Invisible Tattoo NYC, SENSEI Gallery (NYC), PANDA ( NYC) Mighty Tanaka Gallery, Archilesi & Homberg Fine arts, AO5 Gallery ( Austin ) , Chelsea Market with nAscent Art  and many more. 


"Horse Power" Acrylic in paper - 2004

The Mildred I. Washington Art Gallery 


Art on 5th - Austin Texas -2016


Art Basel, Switzerland - 2011 

Artist, John Breiner, Manhattan,

The "UN Fair" - 2013  -Hells Kitchen Manhattan, 


"The Grand Champions Forever" May - 2004 - Bushwick Brooklyn


Capital Walls Project - Albany NY

By 2013 I had become restless with making indoor "Studio" work and once again hit the streets returning to my roots of directly painting on the walls. This coincided with the explosion of cities across the world now accepting murals and public art in an unprecedented manner. I began to use my background in mural painting to not only paint walls but to work as a curator / art director and adviser for numerous projects and Mural festivals such as O+Positive ( Poughkeepsie) The Underpass Project (Poughkeepsie) , WellingCourt Mural Festival (Astoria ) and working directly with the NY Department of Transportation as Well as the Poughkeepsie Department of Sanitation on various projects. 


Painting for O+Positive Festival - Kingston NY - 2016 


Were All in this Together Project - Summer 2021


I began my next creative pursuit as an independent book publisher and archivist. My first book "Power Kingdom" a 224 page look at the lively but ephemeral graffiti scene in Poughkeepsie NY I photographed  during the 1990's leading up until the 2000's. Once it was released it sold out it 1st printing within a month. I'm currently working on the next book a look at my graffiti photos I shot in the 1990's from the North East including NYC, Phiily, Newark, New Haven and more. 

Power Kingdom cover
back cover

These days I'm currently living in the Hudson Valley, painting murals, occasionally DJing, creating works on paper and working as an archivist and advisor for several creative projects.. Please feel free to reach out with your project or if you have any questions drop me a line.

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